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Whenever I make a small adjustment to a photo, Lightroom will mark that photo for synchronization to my SmugMug account. One press of a button and the new images will automatically replace the old. Capture One 12 adds functionality for third-party plugins, and hopefully we see one from SmugMug. You can only view one folder at a time. Lightroom CC does have a great mobile editing app. And the photos sync between your desktop version and your mobile version, so you can edit on your phone at the airport and then pick up when you get back to your computer.
They both have advantages and disadvantages. I still have a lot of learning to do, but even at my basic Capture One skill level, I know that this is a much better way to process RAW photos than Adobe Lightroom.
Try the fully-functional day trial — yes, fully-functional for 30 days — free, at phaseone. Hello John, welcome to the C1-community!
I switched a few years ago from LR to C1 and recognize almost everything you wrote in your article. The learningcurve isn't that difficult, it goes really fast in learning C1. Personally I use iMatch for all mu culling, tagging, Enjoy photography and C1. Thanks Rob! Yes, I do miss the ability to quickly cull photos - LR was great for that and the task is a lot more tedious in C1. I'll definitely give both of your suggestions a shot as I try to figure it all out. Thanks for the help! Cheers, John.
I start in LR with catalogs, do all my tagging, keywording, etc. If you'd added behind "no purchase required" another sentence about Fuji- and Sony users, then it would come across much clearer. I wouldn't normally respond but I'm not impressed - how much did you get paid? It's not free. It's a 30 day trial and camera specific. That's the C1 Pro and it's not what the article is referring to.
It's not very clear on C1 website but the free express version for Fuji and I'm assuming Sony are inside the bundle that you download for the camera specific version. You just select the free version afer downloading package. I agree with the commenters that the title and much of the tenor of the article is misleading regarding Capture One Express. The implication is that it is available to all, but only when diving deep into the article and doing research online does the reader realize that the Express version is only for users of Sony and Fuji cameras.
This feels like false advertising by omission. Further research on the author shows that he works for a marketing firm representing Capture One, and that all of his articles for Fstoppers are about Capture One. I am left with the impression that these articles are a marketing campaign dressed up as tutorials. This seems similar to the deception albeit on a much smaller scale to the recent controversy regarding The North Face using photos of their gear on Wikipedia entries.
Perhaps the author could be more direct upfront and disclose his relationship with Capture One at the beginning of his articles. Capture One is known throughout the community to be an excellent product, and having articles with tips and ideas is a great way to show it off.
Direct and up front? I wonder what word salad might be used to convey his purpose to influence people to buy c1. Joel Jaffe, thanks for sharing your research. I agree with your thoughts about being more direct about the author's relationship to Capture One. The posts do openly say that they're sponsored.
You may not enjoy sponsored content, but it's not deceptive. Thank you for pointing out that the post was Sponsored. I hadn't realized that.
Now I know what to look for. Yes, I'm serious not sarcastic. I'd missed the Sponsored tag when I started reading the article. Yup, I couldn't agree more, Joel. I knew absolutely ZERO about Capture One, and after reading this article--I, feeling like an idiot later, clicked several times on the link, and again from Google, etc.
Only after reading the comments was I educated to the fact it's only Fuji and Sony, unless you want to start a trial for the Pro version, which I'm sure is the point. What a let down.
Welcome to Capture One World. This company would never produce a version for the Pentax cameras, since they were in competition with their much more expensive Phase One cameras. I too seem wedded to Photoshop, since I got my original low cost version years ago when I studied it at our local JC. I am told by several of my teachers and mentors that the RAW developer in Capture One is , perhaps, the best.. But I have had great difficulty in mastering the steep learning curve in learning it.
And the tutorials haven't been, for me, very helpful. So, if my Pentax ever dies, or I inherit unlikely I would consider switching to the bigger Fuji. If you are just starting out in photography, and haven't spent too much time with other programs so you're not fixed in how you process, it might be a good thing for Sony and Fuji owners to start with a simpler version of this, as offered to owners.
I'm probably just too old to learn many new tricks, like my dog, who is also old and was not ever interested in anything but treats, not tricks. The headline for the article doesn't make that clear nor do the links that were included. I can start in Exposure for example.
But if I go over to the Color panel, my layer is there as well. It's so easy, so logical. If you're curious about how fun and easy layers can be, watch the movie at the top of this article. It's just a brief introduction to this feature, but it will give you a good idea to what I'm talking about. Take a look at that video and see why. I know that you've likely heard this from others as well, but maybe you just haven't had time to try it for yourself.
Nose around a bit with the application, watch some of the free Phase One videos, get a feel for the environment. Create a folder of images that you can use for your test library. I recommend a combination of RAW files and Jpegs from a variety of scenes. Make this a completely different folder in your Pictures directory so that it doesn't get confused with the source material for other apps. Start from the beginning with my latest online training and follow along with your own images or download the asset catalog that comes with the training.
Both trainings are the same and begin with a What's New section, a discussion on the app's strengths and weaknesses, and a simplified typical workflow to help you get off to a fast start.
Once you start to feel a bit more comfortable with the software, I delve into basic color and exposure adjustments, optical fine tuning, layers and masks, more sophisticated color controls, managing your catalog, and efficiency tips.
If you love getting the most out of your RAW files and appreciate a logical image management catalog system, then this might be the time to take a serious look at Capture One Pro 20, and see what you think. My guess is that you will find it time well spent. Phase One had announced earlier this week that they were the first to provide RAW support for the two new Fujifilm cameras.
The app recognized the lens and allowed all of the lens corrections including CA, Distortion, diffraction correction, light falloff, and sharpness. And the RAW files were very editable, including excellent highlight and shadow recovery. Just a note on film simulations: C1P allows you to apply any of them, including Velvia, Provia, Acros, etc.
So as long as you captured the image in RAW, all of your Fujifilm options are always available. The particular simulations that show up in C1P are based on the camera you used. If you're a Fujifilm photographer, and especially if you have one of their new cameras, Capture One Pro 20 RAW processing is definitely worth a look. There are those times when you want to share a collection of images without tapping a 3rd party web service. One excellent option is Capture One's electronic contact sheet.
Once you create an electronic contact sheet, you can put it on a flash drive, embed it on a web page, and even make a hard copy print. In this short video, you can see how to make one for yourself. Electronic contact sheets are one of those tricks that you can keep in your back pocket for those times when you want to deliver a gallery on a flash drive or some other non-web-service approach.
Plus, they are quite attractive. You can learn all the ins and outs of this amazing software in the comfort of your home, or even on your smartphone by watching my fast-paced training: Capture One Pro 12 Essential Training on LinkedIn Learning. If you're a lynda. You will learn everything from image organization, to expert editing, to output and more. It will feel good to finally take control of your photo library with Capture One Pro It's available near the top of the View menu.
It allows you to quickly control what you see in the thumbnail browser. This is from my essential training on LinkedIn Learning and lynda. There's also a cautionary note: Global Filters are sticky, so if you find files missing, that's probably the reason why! This is just one of the many techniques that I cover in this course. Other topics include peppered with inside tips :. For those of you new to this application, I have a Quick Start chapter that gets you up and running in less than 20 minutes.
Yes, that's the entire workflow, start to finish, in less than half an hour. You can learn all the ins and outs of this amazing software in the comfort of your home, or even on your smartphone by watching this fast-paced training: Capture One Pro 12 Essential Training on LinkedIn Learning.
You can squeeze every drop of quality from your optics in Capture One Pro 12 by tapping the Lens Correction panel before editing your shot. Here you can enable profiles for your optics, adjust distortion, reduce light falloff, and even correct for diffraction. Combine this capability with a good RAW file, and you can enjoy amazing image quality as a result. In this 4-minute video, I walk you through the steps for maximizing optical performance in Capture One Pro I don't apply Diffraction Correction to every image, only those where I think it's appropriate or can improve an important photograph.
It does use extra processing power, so I save it for those pictures that really count. If you want to stretch beyond the limitations of the vignette tool in Capture One Pro 12, I recommend getting familiar with the new radial mask option. It's far more flexible and powerful, yet you can learn how to use it in just 3 minutes. Here's a video to show you how.
The way that I approached editing the portrait in this video was by creating two radial masks on two different layers. The first one was designed to lighten the tones on the subject's face. The second mask, on another layer, darkened the tones for the background. By having two masks on different layers, I had complete control over the relationship between the compositional elements. And because it's so easy to do, I could build this effect in just minutes.
You can use the masks for more than just tones as well. I can adjust colors, clarity, and other aspects of the photo. Again, this is so much more powerful than a basic vignette tool. The latest version of Capture One Pro 12 is my favorite to date. Among the many new features, I love the way it handles luminosity masking. I can finally get my head around this useful image adjustment. And there's so much more in this update.
And I cover all the cool stuff. The software we have on the backend can help free us from cumbersome equipment at capture. One example is my "weekend kit" that I carry with me when out and about with family and friends. In one pocket, I have an iPhone X for all the usual reasons. And in the other, I often carry the Fujifilm XF Even though it fits in my front jeans pocket, it sports a lovely Fujinon aspherical lens and an APS-C image sensor.
Plus it communicates with the iPhone to record location data as I shoot. I love geotags! RAF file with the simple press of a button the the back of the camera. By doing so, I have all of my options available to me later in post production.
Once I return home, I have a specific workflow that helps me maximize the content that I've captured in the field. This latest version does a great job with Fujifilm RAW files, pulling out all of the color and detail. Plus, while I'm there, I can fine tune the image a bit with the new Luminosity mask or a graduated screen. There are lots of things that I could do at this point. And to be honest, this is where most photographers will diverge from my workflow.
But I'm going to tell you anyway. The image is automatically backed up and propagated to all of my devices. I can use it right away for Flickr, Instagram, Facebook, etc. Plus, I have the good feeling of knowing that my favorite work is archived without any further effort on my behalf. The other reason is because the Luminar 3 editing extension is just so darn good. The finishing touches I apply with that app really make a difference, and the changes are automatically saved to the images in iCloud.
Side Note: Luminar 3 is on sale for 29 percent off through Feb. The rest of the images are backed up traditionally via hard drive in Capture One.
But those favs You learn all the ins and outs of Luminar via my Essential Training on lynda. It's fun, and I promise, you will improve your shots. You can also tune in on lynda. Stay tuned. It's no secret. The vignette tool in Capture One Pro left plenty to be desired. But with the release of version 12, we now have the Radial Gradient Mask. And suddenly, we have much better control for creating a vignette effect. Standard vignette in Capture One Pro. For portraits like this, the shading covers part of the face, and there's no way to position the effect.
Photos by Derrick Story. You can toggle the red mask indicator on and off by pressing the M key. More natural vignette effect using the radial gradient mask instead of the vignette tool. At first you may think that's it's more complicated to create a mask than just using the vignette slider. But to tell you the truth, once you've done it a couple times, it's just as easy Coming off the holidays, we're very much in a group shot frame of mind. As we should be, right? Gathering people together is an efficient and fun way to document the event.
But we sometimes forget the value of individual family portraits as well. And over the years, these are just as valuable because they give us as photographers the opportunity to capture the essence of the person we know. Zach at 22 years old. Processed in Capture One Pro Once you process the shoot, be sure to share a gallery with a variety of poses with your subject. Chances are good that the version they like will differ from your favorite.
That's OK. They can use the images for social, resumes, etc. Updating family portraits is an excellent creative project for After all, we don't want the shoe cobbler's kids to have bare feet. Either way, I have four hours of entertaining education that will help you master this excellent photo management and editing application.
I was among the many pleased photographers who exclaimed, "Finally! But a dozen Fujifilm cameras and another half dozen lenses were included as well. I was not disappointed. Take a look at the Garden Tomatoes shot above. The combination of the Fujifilm camera and Capture One Pro retains all that beautiful detail. The XF10 Jpegs are beautiful. And I shoot in that mode most of the time. And now, thanks to Capture One Pro The Keystone correction tool can be found in the Capture One's Lens Correction tab, and it's definitely worth a look.
It makes it easy to straighten both vertical and horizontal converging lines - the types of distortion that we often encounter when photographing buildings from ground level. Generally speaking, I use it to correct vertical lines. In this short movie, you can see exactly how it works. Not only does this tool work well, it's not difficult to figure it out. And just like everything else in Capture One Pro, it's non-destructive. So you can go back at any time to readjust the picture.
And by using it, you can correct an everyday snapshot such as the iPhone shot below into a pretty nice photograph. But once I have the basic image the way I want, I then like to move my favorites over to Luminar for the finishing touches.
Here's an example from Maui. Image by Derrick Story. There are a variety of ways to do this, but I go the old fashion route by processing the RAW in Capture One, applying my basic edits, exporting a full resolution Tiff, then opening that file in the standalone version of Luminar I then save the working file as a Luminar document.
Each application has its own strengths. And when you take the best from each, image editing becomes really powerful, and quite fun. It's fun, and I promise, you will learn a lot.
One of my favorite new features in Capture One Pro 11 is redesigned layers. Now, you can access them in practically every adjustment tool, and we have plenty of powerful, yet easy to use masking tools for localized edits on each of those layers. If you haven't experienced them yet, I have a treat for you.
Here's 5-minute movie that introduces you to the new Layers, how to use them, and the tools available within them. You'll be up and running right away.
I received an image request the other morning for a photo that I captured in Those were Aperture days for me, so I went upstairs to the archive room, fired up the Drobos, and launched the appropriate Aperture library.
In , I loved Aperture. I thought it was some of the finest software that Apple had designed. But on this morning, I was impatient with it.
And for the first time, the interface looked a bit dated. Then I realized All I had to do was use another machine for a day or so. So I set up a new Capture One Catalog, and initiated the process. Capture One Pro is exceedingly good at this transition. Most of the library structure migrates, sans Smart Albums. Many of the image adjustments carry over as well. And all of the metadata, including my star ratings and IPTC were welcomed in their new home.
A day and a half went by, and the job was complete. At first, performance was a bit funky. So I quit Capture One, counted to 10, then relaunched the app. Ah, much better. And the more I browsed, the better the performance became. All of my shots looked better. That subtle contrast enhancement that's in the Capture One secret sauce really played out nicely with my older photos.
My cropping carried over as well. I recommend that you keep separate Capture One catalogs for your archives. Mine are on Drobos with Thunderbolt connections. Performance is good enough for browsing, enhancing, and exporting older shots.
I still have my Aperture archives as well. It's just disk space, and that seems like a cheap enough insurance policy in case something goes wrong. Aperture and I had a wonderful relationship.
But for now, Capture One Pro is looking after my archives. Start with Capture One Pro 10 Essential Training that will quickly get you up to speed with this pro level imaging application. These days, I just pile everything into Capture One Pro, then sort things out in the app. I can do this because of the terrific C1P tools, with Global Filters at the top of the list.
Generally speaking, when it's time to rate images and decide which ones are worthy of editing, I just want to work with the RAW files. There are other options as well, depending on the situation. The Jpegs remain in the catalog, I just don't see them. So then I can go about my business of working just on the RAWs. Here's a movie that shows this in action. It's a little thing, right?
But little things really add up when you're under the gun with finishing off a shoot. I think a lot of that comes out of social networking. We have those JPEGs on our cameras. We can send them via Wifi to our mobile devises and upload them to social sights. And then when we're ready to do the heavy work, right, the serious work on our images, then we want to work on RAW files in applications such as Capture One-Pro. So we find ourself having both types of files on our memory cards.
Plus, if you bring them both in, you'll have to manage them in the catalog. And that's probably extra work you don't need. So here's how to cheery pick the RAWs only off the memory card. Basically your enable a sort in the import dialog box that separates the RAWs from the Jpegs. The you select the RAWs only for copying to your catalog. It seems simple once you know the trick. And it can save you a lot of time up the road with catalog management.
Most Capture One users have master catalogs with thousands of images. If, however, you want to take a project with your on the road and leave the rest of the catalog behind , it's very easy to do. Once you've exported a project as a catalog, you can copy it to your laptop and take it on the road. If you make changes to the exported catalog, you can integrate them back into the master collection by using the Import Catalog command under the File menu.
Many photographers try to use Spot Removal instead of cloning in Capture One for a very simple reason: they can't find the cloning tool. That's because it's tucked away in the Local Adjustments panel. Then, someone could tell you that, and you still might not find it.
You'll see adjustments for just about everything else - white balance, exposure, etc. Choose New Clone Layer, and now when you select the Brush, it will transform into a cloning tool that works pretty much like everyone else's.
Give your layer a name. Then make sure the brush icon is highlighted or press the B key. Use the bracket keys to control the size of the brush, and Shift-bracket keys to control feathering. Option-click on the area that you want to sample. Then paint over the area that you want to clone. When you're finished, tap the V key to disable the brush. With the subscription, you can run Capture One Pro Fujifilm on two different computers simultaneously.
If you would cancel the subscription, you will not lose your editings and image archives; you will be just not able to run Capture One until you would renew the subscription. Subscription is a smart choice when a days trial is over, and you feel that you need more time to test Capture One in your workflow. Perpetual Licence is much more profitable in the long-term. Starting with Capture One Pro Fujifilm Pro benefits new users with a lower price tag, but if you already own the license — paid upgrades will be more cost-effective for you.
Alexander Svet — professional photographer and specialist in image processing. Alexander Svet — Professional photographer and photography instructor. Type above and press Enter to search.
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